Zi 字媒體

Tina Schwarz2017Ohne Titel, 2017Pastel, oil and acrylic on linen70 9/10 × 58 3/10 in180 × 148 cmOhne Titel, 2017Pastel, oil and acrylic on linen70 9/10 × 55 1/10 in180 × 140 cmWhen Riding A Dead Horse They Tend To Use The Golden Spurs, 2017Oil, oil pastel, flash acrylic and pastel on linen70 9/10 × 59 1/10 in180 × 150 cmI Never Saw The Dog, But I Recognised Its Bark II, 2017Oil, pastel and flash acrylic on linen19 7/10 × 15 7/10 in50 × 40 cmMovement No. 2, 2017Pastel, oil and acrylic on linen11 4/5 × 9 4/5 in30 × 25 cmOhne Titel, 2017Pastel, oil and acrylic on linen11 4/5 × 9 4/5 in30 × 25 cmMovement No. 3, 2017Oil, flash acrylic and chalk on linen11 4/5 × 9 2/5 in30 × 24 cmOhne Titel, 2017Pastel, oil and acrylic on linen23 3/5 × 19 7/10 in60 × 50 cmDie Schatten sind länger als der Tag, 2017Oil and flash acrylic on linen11 4/5 × 9 2/5 in30 × 24 cmMovement No. 1, 2017Pastel on linen70 9/10 × 59 1/10 in180 × 150 cmUntitled, 2017Pastel and oil on linen19 7/10 × 15 7/10 in50 × 40 cm其他作品Untitled, 2016Oil and acrylic on linen74 4/5 × 63 in190 × 160 cmTina Schwarz, Untitled (Rachegöttinen), 2016Oil and acrylic on linen190 x 160 cmUntitled (Als Schlitzohr durch's Siegestor), 2016Oil and acrylic on paper78 × 53 1/2 in198 × 136 cmTina Schwarz, Untitled (fears du mal), 2016Oil and acrylic on paper30 x 23 cmTina Schwarz, Untitled, 2015Oil on linen40 x 50 cmTina Schwarz (*1977 in Friedberg, Germany), who recently spent some time in Los Angeles, completing a residency at Hooper Projects, is inspired by the drawings and graphics of the Old Masters, whose basic designs she deftly sketches on paper or utilizes as the starting point for her paintings. She combines these motifs with a theme that is both contemporary and timeless: the link between history and current events, which she creates by establishing reference points between, for example, current political developments and philosophy or artists such as Goya.The human body in its physical presence, but also in its vulnerability, finite nature and absence, is often at the centre of her work, turning her paintings into an art of counter-perception, oriented towards the timeless, without repudiating the contemporary, striving for allegory, while constructing a polyfocal labyrinth of uncertainties. The dissection of space and the concurrent dynamization of the image are conspicuous, connected as they are to the breaking up of form and the transformation of the figure. In her work, moments of escalation are juxtaposed with a relativisation of time through a suspension of dynamic processes.掃碼讚賞 感謝支持！歡迎藝術家朋友投稿