戛納電影節：12部不容錯過的精彩影片

第70屆戛納電影節17日在法國南部海濱城市戛納拉開帷幕，為全球電影愛好者帶來一場電影盛宴。從開幕電影《伊斯梅爾的幽魂》到戛納首部VR影片《肉與沙》，BBC文化頻道為您整理了本屆戛納電影節不容錯過的12部精彩影片，一起來看看吧。

Ismael's Ghosts《伊斯梅爾的幽魂》

In the year that Cannes celebrates its 70th anniversary it's fitting that the opening film – Arnaud Desplechin's Les Fantômes d'Ismaël (Ismael's Ghosts) – is a more-French-than-French affair. The Gallic auteur is a firm friend of the festival, with several of his previous films, including Ma Vie Sexuelle, La Sentinelle, and Jimmy P: Psychotherapy of a Plains Indian debuting in competition. Mathieu Amalric heads up an ensemble of French acting royalty that includes Marion Cotillard, Charlotte Gainsbourg and Louis Garrel. Amalric plays Ismael, a film-maker whose life with Sylvia (Gainsbourg) is interrupted when his lost love Carlotta (Cotillard) returns from the dead.今年的開幕電影是阿諾•德斯普萊欽的《伊斯梅爾的幽魂》，在戛納電影節70周年之際選擇一部徹頭徹尾的法式風格電影開幕很合適。這位法國導演算是戛納電影節的老朋友了，此前，他拍攝的《西葫蘆的生活》、《哨兵》以及《吉米•皮卡爾》等多部電影都曾進入戛納主競賽單元。該片由馬修•阿馬立克領銜主演，還匯聚了瑪麗昂•歌迪亞、夏洛特•甘斯布、路易•加瑞爾等眾多法國大牌演員。阿馬立克飾演電影導演伊斯梅爾，他的舊愛卡洛特（歌迪亞飾）的死而復活，打亂了他和希爾維亞（甘斯布飾）的生活。

Flesh and Sand《肉與沙》

Alejandro González Iñárritu has established himself as one of the great technicians of contemporary cinema, so it makes sense he would be the first mainstream director to turn to virtual reality. Developed over four years, Carne y Arena (Flesh and Sand) is a six-minute 360-degree installation designed for solo viewing that follows a group of migrants from Mexico into the US and shows, with visceral "you-are-there" flourish, the hardships these immigrants endure even without Donald Trump's border wall in place. It's the first VR work to appear at Cannes. 亞利桑德羅•岡薩雷斯•伊納里圖已經是當代電影界最優秀的電影技師之一，所以他成為第一位涉足虛擬現實的主流導演也是合情合理。《肉與沙》製作歷時4年，片長6分鐘。片中360度全立體的畫面可供單獨觀看。影片講述了一群墨西哥移民進入美國的故事，用寫實的內心戲展示了這些移民所忍受的艱辛，而這還是在川普提議的邊境牆沒有建成的情況下。《肉與沙》是第一部亮相戛納電影節的虛擬現實影片。

Jeannette: The childhood of Joan of Arc《童女貞德》

French director Bruno Dumont explores Joan of Arc's spiritual and patriotic awakening as a child in this musical film based on Charles Péguy's 1910 poem The Mystery of the Charity of Joan of Arc, which looked at the visions that inspired her to join the fight against the English during the Hundred Years' War. Dumont focuses on how the young girl transformed from peasant to warrior, arguing that: "Everyone knows her story in adult life and her end but I don't want to re-visit what's already been done. What hasn't been explored so much is her childhood… What interests me is how Jeannette became Joan of Arc." 查爾斯•皮蓋伊1910年的詩歌《聖女貞德仁慈之謎》描寫了是什麼鼓舞貞德在百年戰爭期間加入反抗英國的鬥爭。法國導演布魯諾•杜蒙以這首詩歌為基礎，拍攝了歌舞片《童女貞德》。該片講述了童年貞德靈魂和愛國之心覺醒的故事。杜蒙重點刻畫了童女貞德如何從農民轉變成一名勇士的過程，他說，「所有人都知道聖女貞德成年後的故事和她的結局，而我不想再老調重彈。她的童年故事還有很多沒有被挖掘……而珍妮特如何轉變為聖女貞德才是吸引我的地方。」

The Square《自由廣場》

Ruben Östlund has some issues with the contemporary art scene. "In the art world," the Swedish director told Variety, "you bring everything you do into a theory level, where it loses its contact with the outside world in many ways." He should know. His new film, starring Dominic West as a US artist showing off a new installation that's supposed to encourage consideration and humanistic regard, is loosely based on his own experience. Östlund once debuted an installation where two people enter a square space meant to symbolise a street intersection, and in that space they interact with each other following the courtesy and deference of motorists to pedestrians encouraged by traffic laws. Art should "remind us of those humanistic values," Östlund says. "I think that this is not very common in the art world." 魯本•奧斯特倫德對當代藝術界有些看法。這位瑞典導演告訴《Variety》，「在藝術世界里，你把自己所做的一切都上升到理論的高度，這樣切斷了藝術與外界的許多聯繫。」他對此深有體會。奧斯特倫德的新片《自由廣場》基本基於他的個人經歷，片中多米尼克•威斯特飾演一位美國藝術家，他大肆鼓吹一個本應該宣揚關懷和人文主義的新裝置藝術品。奧斯特倫德曾經推出一個裝置藝術品，在這件作品中，兩個人進入代表著街道十字路口的空間，在這裡他們發生互動，在交通法規的引導下，開車的人對行人有禮而尊重。奧斯特倫德說，藝術應該「讓我們想起那些人文價值，我認為這在藝術世界中不常見。」

Okja《玉子》

Bong Joon-ho has brought dark wit, intense emotionality, and jaw-dropping twists to a series of genre mashups: the monster movie The Host, murder mystery Mother, and dystopian action thriller Snowpiercer. His latest is a Spielbergian story of a young girl, Mija, whose friendship with a massive CGI creature, named Okja, is threatened by a mysterious corporate entity that wants to spirit the beastie away. 奉俊昊將黑色幽默、強烈的情感以及驚人的反轉融入一系列題材混搭的電影中，比如怪物片《漢江怪物》、兇殺懸疑片《母親》以及反烏托邦式的動作恐怖片《雪國列車》。他的最新作品《玉子》是一部「斯皮爾伯格式」的電影，講述了小女孩美子的故事。美子和一頭巨大的特效生物玉子的友情受到了威脅，一個神秘集團想要將這隻怪獸秘密帶走。

The Beguiled《牡丹花下》

Nicole Kidman, Kirsten Dunst and Colin Farrell star in this remake of the 1971 Clint Eastwood revenge tale set in the deep South. Kidman is the headmistress of a girls' boarding school, who agrees to shelter a wounded Union soldier (Farrell). Oscar-winning director Sofia Coppola has shifted the original film's narrative focus from soldier to women, ramping up sexual tension in a film that's competing for the Palme d'Or at Cannes.《牡丹花下》是克林特•伊斯特伍德1971年同名影片的翻拍版，是一個背景設定在美國南方的復仇故事。該片由妮可•基德曼、克斯汀•鄧斯和科林•法瑞爾主演。基德曼飾演女子寄宿學校的校長，她同意收留一名受傷的聯邦軍士兵（法瑞爾飾）。奧斯卡獲獎導演索菲亞•科波拉將原版電影中的敘述焦點從士兵轉移到片中女性身上，將影片中的性別衝突放大。該片將在戛納角逐金棕櫚獎。

Happy End《快樂結局》

Students of Michael Haneke's work know that the title of this film is likely to be ironic: the great Austrian filmmaker and two-time Palme d'Or winner is not known for his cheery disposition or feel-good vibes. Details have been kept tightly under wraps: all that is known is that Happy End is set in the French port of Calais and in London, and is billed as a portrait of a bourgeois family. Its producers have said that the European refugee crisis will be "mentioned" and "integrated", but have stressed that it will not be the subject of the plot. 研究過邁克爾•哈內克作品的人應該知道，這個電影標題很可能是反語：這位偉大的奧地利導演曾兩次奪得金棕櫚獎，他的電影可不是以樂觀向上著稱的。電影的細節嚴格保密：唯一已知的是《快樂結局》的背景設定在法國港口城市加來以及倫敦，該片號稱是一個中產階級家庭的寫照。《快樂結局》的製作人稱，影片將「涉及」難民危機，在電影中「融入」這個話題，但他們強調這不會是電影的主題。

Wonderstruck《寂靜中的驚奇》

The source material for Todd Haynes' Wonderstruck is Brian Selznick's YA book of the same name, which alternates pages of text with illustrations and was itself inspired by a documentary about deaf children's visual hyper-awareness. Echoing Selznick's approach, half of Haynes' Wonderstruck – which is set in 1927 and 1977 – will be silent, with a number of roles featuring deaf actors. Thirteen-year-old Millicent Simmonds stars as Rose, who runs away from home in search of her idol Lillian Mayhew (played by Julianne Moore), with Michelle Williams and Tom Noonan also featuring. The heart-warming family film is a departure of sorts for Haynes, whose previous movies have often explored transgressive or clandestine relationships.托德•海因斯的《寂靜中的驚奇》改編自布萊恩•塞爾茲尼克的同名青年小說。這本書的靈感來自一部講述失聰兒童敏銳視覺的紀錄片，書中配有插圖。為了和原著呼應，影片的半段將以默片形式呈現，故事背景設定在1927年和1977年，其中一些角色由失聰演員出演。13歲的米利森特•西蒙茲飾演羅絲，她逃離家鄉尋找自己的偶像莉蓮•梅休（朱麗安•摩爾飾），米歇爾•威廉姆斯和艾米•哈格里夫斯也參演了。海因斯以前的電影通常探討的是大膽越軌、不可告人的關係，這次他一改以往風格推出了一部溫馨的家庭片。

The Killing of a Sacred Deer《聖鹿之死》

Colin Farrell reunites with off-beat Greek director Yorgos Lanthimos for this psychological horror-thriller, following the success of dystopian dating drama The Lobster, which won the Jury Prize at Cannes in 2015. Farrell stars as a surgeon whose idyllic family life takes a sinister turn after he develops a bond with a fatherless teenage boy, Martin (Barry Keoghan), forcing him to make a shocking sacrifice. Nicole Kidman stars as the surgeon's wife. 繼反烏托邦式的婚戀電影《龍蝦》大獲成功、拿下戛納最佳評委會獎之後，科林•法瑞爾和希臘鬼才導演歐格斯•蘭斯莫斯在心理驚悚片《聖鹿之死》中二度合作。法瑞爾在片中扮演一位成功的外科醫生，在他試著和一個沒有父親的少年馬丁（巴里•基奧漢）親近之後，他平靜的家庭生活發生了恐怖的轉變，迫使他做出難以想象的犧牲。妮可•基德曼在片中扮演法瑞爾的妻子。

Loveless《無愛可訴》

Andrey Zvyagintsev is Russia's best known director. His 2014 film Leviathan was a hit at Cannes in 2014 – many felt it was robbed of the Palme d'Or – and it went on to win wide international acclaim and a nomination for the best foreign-language picture at the Oscars. Set in Moscow in the warm summer months, the film stars Maryana Spivak and Alexei Rozin as a couple whose son goes missing while their relationship is unravelling. Zvyagintsev has set the bar for himself rather high: he has said he would like Loveless to be compared with the great Swedish director Ingmar Bergman's Scenes from a Marriage. 安德烈•薩金塞夫是俄羅斯最著名的導演。2014年，他的電影《利維坦》成為當年戛納電影節的熱門影片，很多人認為該片才應該是當年金棕櫚獎的得主。之後，《利維坦》在國際上收穫了廣泛好評，並獲得奧斯卡最佳外語片提名。《無愛可訴》將背景設定在莫斯科的夏季，Maryana Spivak和Alexei Rozin飾演一對夫婦，在他們鬧分手期間他們的兒子失蹤了。薩金塞夫這次給自己設的目標更高：他說過要將《無愛可訴》與偉大的瑞典導演英格瑪•伯格曼的《婚姻生活》作比較。

Inconvenient Sequel: Truth to Power《難以忽視的真相2》

With the tagline "Climate Changes, Truth Does Not", the follow-up to 2006's Inconvenient Truth updates the Oscar-winning documentary for a new era – one in which Donald Trump is the US President. Directed by husband-and-wife team Jon Shenk and Bonni Cohen, the documentary again follows former Vice President Al Gore as he travels the world sounding the alarm about climate change. The original film became one of the highest-grossing documentaries of all time, with Gore's high-tech global warming road show front and centre. This one doesn't aim to simply retell the same story, though. "An Inconvenient Truth has a very specific style that we were never looking to replicate," says Cohen. "We tend toward following action, watching events and characters unfold, not doing too much scripting beforehand." 這部紀錄片是2006年奧斯卡獲獎紀錄片《難以忽視的真相》的續集，影片以「氣候變化，事實不會變」為宣傳語，在川普擔任美國總統的背景下進一步探討氣候變化問題。喬恩•申克和邦妮•科恩夫妻擔任影片導演，片中美國前副總統阿爾•戈爾前往世界各地敲響氣候變化問題的警鐘。《難以忽視的真相》的第一部是有史以來票房最高的紀錄片。第二部不是為了僅僅重複同樣的故事。「第一部有其特定的風格，我們從不想複製。我們希望觀察事件發展、將角色展開，而不會事先寫太多的劇本。」

120 Beats Per Minute《每分鐘120擊》

Robin Campillo was one of the screenwriters for 2008's Palme d'Or winner The Class; this year the Moroccan-born French filmmaker makes his directorial debut at Cannes with 120 Beats Per Minute. Set in the early 1990s, when HIV was still little known and understood, the film follows a group of activists who fought government inaction and public indifference to the virus under the slogan "Silence = Death". 羅賓•坎皮略是2008年金棕櫚獎獲獎影片《課室風雲》的編劇之一；今年，這位摩洛哥出生的法國電影人憑藉《每分鐘120擊》首次以導演身份亮相戛納電影節。故事背景設定在上世紀90年代初，當時人們對HIV還知之甚少，影片講述了一群社會活動家高舉「沉默=死亡」的標語，抗議政府對HIV的不作為以及公眾的冷漠。

英文來源：BBC翻譯&編輯：董靜審校：丹妮